This scene from Dawn
of the Dead (2004) is one
of the most memorable aspects of body
horror in the film. A close up shot of Ana leaning into the woman to
check her pulse confirms to the audience that the woman is dead. However, as
Ana informs the other characters, dramatic non-diegetic parallel music works in conjunction with a shot of
the woman sitting up to shock the audience and inform them that the woman is
now a zombie. Another close up of the woman’s eye confirms the
audience’s thoughts and the pace of the scene changes from slow montage to a quick
montage as the action kicks
in and Ana is forced to fight. Clear aspects of a typical female survivor are evident when Ana stabs the woman
through her eye leaving her to bleed out on the floor. This demonstrates to the
audience that although she is a woman, Ana has a lot of fight in her and isn’t
one of the weaker more frail characters.
This could relate to the context of the film as 2004 was the year that
women came together in America to march for women’s rights against the
perceived sexism of George Bush, this was an important ideological standpoint.
The strength, determination and knowledge that Ana’s character has demonstrates
that her gender is irrelevant to her survival. This also relates to the fear of death which is an obvious theme throughout
the film but is particularly present in this scene. For example, the
increased pace and the character’s fearful expressions demonstrate how every
character is living in turmoil wondering when there will be another attack.
And, once again, the fast moving monster indicates how the action aspects of
film have dominated many horrors since the late 90s, a style that can also be
seen in other films such as John Carpenter’s Vampires
(1998) where fast montage
is used to convey the idea that these monsters are fast moving and more
dangerous.

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